See #AmandaKnox producer Stephen Morse’s shocking comment about the Kercher family

Here’s what we know: Sometime in late 2010 or early 2011, “Amanda Knox” directors Rod Blackhurst and Brian McGinn hooked up with Stephen Robert Morse and decided to create a documentary on Knox. Morse and Blackhurst went to Perugia in September of 2011, when Knox’s first appeal was heard. It appears that McGinn may have been with them, and that they connected with journalist Mario Spezi (who had previously been arrested by prosecutor Mignini for interfering with an investigation).

The Kercher family was represented at trial by their lawyer, Francesco Maresca. In Italy, the civil suit happens at the same time as the criminal suit, so Maresca was there to represent the Kerchers in their civil suit against the defendants for Meredith’s death. As a part of the original conviction in 2009, the Kerchers were awarded damages.

Knox’s defenders frequently attacked the Kercher family and their lawyer, Maresca, for the damages awarded to the Kercher family. Knox’s defenders claimed Maresca and the Kercher family were driven by the monetary damages awarded to the Kerchers.

Producer Stephen Morse, while covering the appeals, joined in these attacks on Meredith’s family, claiming the Kerchers were blinded by money.  While covering the appeals, Morse stated his belief the DNA evidence would result in an acquittal. Three days later, while waiting for the verdict, Morse claimed the Kerchers were ignoring evidence. In a tweet (still availableSept 2016), Morse charged the Kercher family with being driven by money:

“i feel for the kercher family but they cannot ignore dna evidence simply because they were awared an 8 figure civil victory. ” –Stephen Robert Morse, 3-Oct 2011, 7:57 am.

For US readers, this is similar to claiming the Nicole Brown family was only out for money when they filed their civil suit against O.J. Simpson.

Two of the Kerchers- Meredith’s father John and her brother Lyle- have previously spoken about the symbolic nature of the damages, and that they do not care about the money awarded. In 2009 Lyle told the Guardian “It’s not the case that this has ever been about us seeking money, which is why we’ve been reluctant to do much media stuff throughout. That money will never really change anything in that respect.”

Meredith’s father John Kercher spoke to the Sun  after the Hellmann appellate court overturned the trial conviction. He spoke out against potential book and movie deals for Knox and Sollecito:

Kercher explained that their civil claim- and an £8million damages award made when Knox was convicted – were symbolic in Italian law. “I find it distasteful that Knox stands to make millions from what happened to Meredith. I don’t think anyone should make money out of it – not us, not them,” he said.

“How would any parent feel if their daughter’s murder was to be turned into a movie for people’s entertainment?”

“We would not take a single cent from Amanda Knox,” Kercher added.

Nobody has asked yet how much Netflix is paying Rod Blackhurst, Brian McGinn, and producer Stephen Robert Morse for the rights to add the “Amanda Knox” film to Netflix’s library on September 30th.

 

Shocking! Producer Stephen Morse attacks credibility of journalist Nick Pisa years before Pisa appears in Morse’s documentary!

Stephen Morse, a producer for the Netflix documentary “Amanda Knox,” has on several occasions expressed his criticism of Nick Pisa and the Daily Mail. On at least two occasions Morse accused Pisa and the Daily Mail of deliberately lying. Morse writes in one of his twitter posts from 2011 that he confronted Pisa on the “lies” published by the Daily Mail.

According to Morse and one of the directors, the three of them started on the film in 2011. Amanda Knox and her boyfriend Raffaele Sollecito had been convicted at the trial level, and their appeal to the Hellmann court was scheduled to be heard in late September of that year.

Morse traveled to Italy in late 2011 to cover the trial and provided twitter updates. His belief in Knox’s innocence shows in his tweets. It seems that one of the co-directors of the “Amanda Knox” documentary, Rod Blackhurst,  was also in Perugia at this time.

During the appeal hearings, Producer Stephen Morse provided the first evidence of his criticisms of Pisa and the Daily Mail. He claims that citations to ‘fraudsters’ would be better than citing Nick Pisa and the Daily Mail:

pisz

Several days later, Morse confronted Nick Pisa in Perugia. While the details of this confrontation are not known, it is clear what Morse though of Pisa. His tweet uses the hash tag “#nickpisashitjournalist”; which reads “Nick Pisa Shit Journalist.” Morse writes the he confronted Pisa on the “lies” in the Daily Mail, which Pisa denied:

morse-pisa

A year later Morse repeated his claim that the Daily Mail and its reporters printed lies:

morse-daily-mail

In 2014, three years into working on the “Amanda Knox” documentary, Morse continued his criticism of the Daily Mail on his blog. Morse wrote that Knox was innocent, which he found out upon arriving in Perugia in 2011. Morse wrote of his desire to see Knox “free from the hatred that has already been lofted upon her for years.”

“In the narrative of Amanda Knox, Amanda has been portrayed as the bad guy, especially for people in the United Kingdom, who saw the trashy, headline-driven press in The Daily Mail, The Sun, and The Daily Mirror that target “working class” citizens of that former empire.” -Stephen Morse, 24 Feb 2014

In a now-deleted blog post, while in the middle of working on the film, Morse describes his desire for a rehabilitation of Knox’s image in the media:

“Amanda has responded with strength and intelligence to the people who have created hateful Facebook groups against her, like Perugia Vi Odia (Perugia Hates You), and it is my hope that one day her world will be free of the misplaced hatred that has already been lofted upon her for years.” -Stephen Morse, 24 Feb 2014

In recent reviews of the documentary, its clear Nick Pisa does not come across as sympathetic in the documentary. The Guardian writes that Nick Pisa becomes “a one-man symbol of how shameful that coverage became.” (Guardian, 15-Sep 2016). The Daily Beast writes “The filmmakers put much of the onus on tabloid reporters like Nick Pisa” (Daily Beast, 18-Sep 2016).

It leaves the question: did Nick Pisa know that this documentary was being produced by the person who confronted Pisa in Perugia in 2011 and accused Pisa and the Daily Mail of lying?

Netflix has attempted to distance Morse from the documentary, claiming the title “producer” was only honorary. But the film that will be broadcast across America on September 30th by all reports reflects the published views of producer Morse during the time he claims he was producing the “Amanda Knox” documentary.

Coincidence?

I think not!

 

The errors in Ryan Ferguson’s message on the case against Amanda Knox

ferguson headerThe US recently released Ryan Ferguson, who had been in prison for a decade for the murder of Kent Heitholt. Ferguson and his supporters claim he was “wrongfully convicted” (a term that these days seems to only mean “someone who has amassed a vocal following”). Ferguson’s supporters say that he was found innocent, which isn’t quite accurate. Ferguson was released when an appellate panel declared he did not receive a fair trial, and overturned the conviction. The attorney general could have decided to prosecute again, but has not at this time (Huffington Post, Nov 2013).

Ferguson claims to have read Knox’s book while in prison. He recently posted about the case against Knox and Sollecito on a Facebook page for his supporters. Ferguson claims that the media got the case about him wrong and tries to pass along information about the case against Knox and Sollecito. Ferguson, however, pushes information about Knox’s case that has been proven to be misleading or false. Below are quotes from his message and the corrections to Ferguson’s information.

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